Kurzus nemzetközi vendég- és részidős hallgatóknak

Kar

Bölcsészettudományi Kar

Szervezet

BTK Művészettörténeti Intézet

Kód

MA-ERA-IAH-L-22

Cím

Art in Hungary from the beginnings until 1526

Tervezett félév

Tavaszi

Meghirdetve

2023/24/2

ECTS

8

Nyelv

en

Oktatás célja

Faculty: Faculty of Humanities Organization BTK Institute of Art History Code: Course Title: Art in Hungary from the beginnings until 1526 Usual semester Summer Published semester 2023/2024/2 ECTS: 4 Type of course (lecture/seminar) Lecture hours per week/semester: 2 / 28 assessment method (exam/practical grade): Exam Suggested semester: autumn Learning outcomes: Course content: The main goal of this course is to provide a broad understanding of the development of Hungarian art in the Middle Ages, with a focus on its relations to other centers of art and political power in Europe. In order to establish an understanding of the chain of events, the introduction of the different art styles and their development must be linked to a historical overview. The length of the time period the course covers implies that instead of an in-depth analysis, a select number of focuspoints would be presented along with a respective list of sources and studies, from which the students can gain a more in-depth insight. An emphasis on the international relations between the Kingdom of Hungary, the Holy Roman Empire, Byzantium, the Capetian Kingdom and the Italian Pennisula would allow students to rely on their preexisting knowledge of European medieval art by linking the Hungarian art production into a broader network, as well as gaining an overview of its special development. Required reading: Barral di Altet, Xavier – Lővei Pál – Lucherini, Vinni – Takács Imre (eds.): The Art of Medieval Hungary. Rome, 2018. Recommended reading: Fülep Ferenc: Sopianae. The history of Pécs during the Roman Era, and the problem of the continuity of the Late Roman Population. Akadémiai Kiadó, Budapest, 1984. Ádám Bollók: The birds on the braid ornaments from Rakamaz: A view from the Mediterranean. In: Byzanz – das Römerreich im Mittelalter, teil 3. p. 331–368. Gyula Moravcsik: Byzantium and the Magyars. Budapest, 1970. L. Gerevich: Pilis Abbey a cultural center. Acta Archeaologica 29, 1977, p. 155–198. László Gerevich: The Art of Buda and Pest in the Middle Ages. Budapest, 1971, p. 57–80. Marosi Ernő: Matthias Corvinus, the Medieval Man. Gothic and Renaissance. In: Matthias Corvinus, the King. Tradition and Renewal in the Hungarian Royal Court 1458–1490 (ex.cat.) Budapest, 2008. Farbaky Péter: Florence and/or Rome? The Origins of Early Renaissance Architecture in Hungary. In: Farbaky Péter, Louis a. Waldman (eds.): Italy & Hungary: Humanism and Art in the early Renaissance, 2011, p. 345–368. Sarkadi-Nagy Emese: Local workshops – Foreign Connections. Late Medieval Altarpieces from Transylvania. Jan Thoerbecke Verlag, 2012, p. 15–31.

Tantárgy tartalma

Faculty: Faculty of Humanities Organization BTK Institute of Art History Code: Course Title: Art in Hungary from the beginnings until 1526 Usual semester Summer Published semester 2023/2024/2 ECTS: 4 Type of course (lecture/seminar) Lecture hours per week/semester: 2 / 28 assessment method (exam/practical grade): Exam Suggested semester: autumn Learning outcomes: Course content: The main goal of this course is to provide a broad understanding of the development of Hungarian art in the Middle Ages, with a focus on its relations to other centers of art and political power in Europe. In order to establish an understanding of the chain of events, the introduction of the different art styles and their development must be linked to a historical overview. The length of the time period the course covers implies that instead of an in-depth analysis, a select number of focuspoints would be presented along with a respective list of sources and studies, from which the students can gain a more in-depth insight. An emphasis on the international relations between the Kingdom of Hungary, the Holy Roman Empire, Byzantium, the Capetian Kingdom and the Italian Pennisula would allow students to rely on their preexisting knowledge of European medieval art by linking the Hungarian art production into a broader network, as well as gaining an overview of its special development. Required reading: Barral di Altet, Xavier – Lővei Pál – Lucherini, Vinni – Takács Imre (eds.): The Art of Medieval Hungary. Rome, 2018. Recommended reading: Fülep Ferenc: Sopianae. The history of Pécs during the Roman Era, and the problem of the continuity of the Late Roman Population. Akadémiai Kiadó, Budapest, 1984. Ádám Bollók: The birds on the braid ornaments from Rakamaz: A view from the Mediterranean. In: Byzanz – das Römerreich im Mittelalter, teil 3. p. 331–368. Gyula Moravcsik: Byzantium and the Magyars. Budapest, 1970. L. Gerevich: Pilis Abbey a cultural center. Acta Archeaologica 29, 1977, p. 155–198. László Gerevich: The Art of Buda and Pest in the Middle Ages. Budapest, 1971, p. 57–80. Marosi Ernő: Matthias Corvinus, the Medieval Man. Gothic and Renaissance. In: Matthias Corvinus, the King. Tradition and Renewal in the Hungarian Royal Court 1458–1490 (ex.cat.) Budapest, 2008. Farbaky Péter: Florence and/or Rome? The Origins of Early Renaissance Architecture in Hungary. In: Farbaky Péter, Louis a. Waldman (eds.): Italy & Hungary: Humanism and Art in the early Renaissance, 2011, p. 345–368. Sarkadi-Nagy Emese: Local workshops – Foreign Connections. Late Medieval Altarpieces from Transylvania. Jan Thoerbecke Verlag, 2012, p. 15–31.

Számonkérés és értékelés

Faculty: Faculty of Humanities Organization BTK Institute of Art History Code: Course Title: Art in Hungary from the beginnings until 1526 Usual semester Summer Published semester 2023/2024/2 ECTS: 4 Type of course (lecture/seminar) Lecture hours per week/semester: 2 / 28 assessment method (exam/practical grade): Exam Suggested semester: autumn Learning outcomes: Course content: The main goal of this course is to provide a broad understanding of the development of Hungarian art in the Middle Ages, with a focus on its relations to other centers of art and political power in Europe. In order to establish an understanding of the chain of events, the introduction of the different art styles and their development must be linked to a historical overview. The length of the time period the course covers implies that instead of an in-depth analysis, a select number of focuspoints would be presented along with a respective list of sources and studies, from which the students can gain a more in-depth insight. An emphasis on the international relations between the Kingdom of Hungary, the Holy Roman Empire, Byzantium, the Capetian Kingdom and the Italian Pennisula would allow students to rely on their preexisting knowledge of European medieval art by linking the Hungarian art production into a broader network, as well as gaining an overview of its special development. Required reading: Barral di Altet, Xavier – Lővei Pál – Lucherini, Vinni – Takács Imre (eds.): The Art of Medieval Hungary. Rome, 2018. Recommended reading: Fülep Ferenc: Sopianae. The history of Pécs during the Roman Era, and the problem of the continuity of the Late Roman Population. Akadémiai Kiadó, Budapest, 1984. Ádám Bollók: The birds on the braid ornaments from Rakamaz: A view from the Mediterranean. In: Byzanz – das Römerreich im Mittelalter, teil 3. p. 331–368. Gyula Moravcsik: Byzantium and the Magyars. Budapest, 1970. L. Gerevich: Pilis Abbey a cultural center. Acta Archeaologica 29, 1977, p. 155–198. László Gerevich: The Art of Buda and Pest in the Middle Ages. Budapest, 1971, p. 57–80. Marosi Ernő: Matthias Corvinus, the Medieval Man. Gothic and Renaissance. In: Matthias Corvinus, the King. Tradition and Renewal in the Hungarian Royal Court 1458–1490 (ex.cat.) Budapest, 2008. Farbaky Péter: Florence and/or Rome? The Origins of Early Renaissance Architecture in Hungary. In: Farbaky Péter, Louis a. Waldman (eds.): Italy & Hungary: Humanism and Art in the early Renaissance, 2011, p. 345–368. Sarkadi-Nagy Emese: Local workshops – Foreign Connections. Late Medieval Altarpieces from Transylvania. Jan Thoerbecke Verlag, 2012, p. 15–31.

Irodalomjegyzék

Faculty: Faculty of Humanities Organization BTK Institute of Art History Code: Course Title: Art in Hungary from the beginnings until 1526 Usual semester Summer Published semester 2023/2024/2 ECTS: 4 Type of course (lecture/seminar) Lecture hours per week/semester: 2 / 28 assessment method (exam/practical grade): Exam Suggested semester: autumn Learning outcomes: Course content: The main goal of this course is to provide a broad understanding of the development of Hungarian art in the Middle Ages, with a focus on its relations to other centers of art and political power in Europe. In order to establish an understanding of the chain of events, the introduction of the different art styles and their development must be linked to a historical overview. The length of the time period the course covers implies that instead of an in-depth analysis, a select number of focuspoints would be presented along with a respective list of sources and studies, from which the students can gain a more in-depth insight. An emphasis on the international relations between the Kingdom of Hungary, the Holy Roman Empire, Byzantium, the Capetian Kingdom and the Italian Pennisula would allow students to rely on their preexisting knowledge of European medieval art by linking the Hungarian art production into a broader network, as well as gaining an overview of its special development. Required reading: Barral di Altet, Xavier – Lővei Pál – Lucherini, Vinni – Takács Imre (eds.): The Art of Medieval Hungary. Rome, 2018. Recommended reading: Fülep Ferenc: Sopianae. The history of Pécs during the Roman Era, and the problem of the continuity of the Late Roman Population. Akadémiai Kiadó, Budapest, 1984. Ádám Bollók: The birds on the braid ornaments from Rakamaz: A view from the Mediterranean. In: Byzanz – das Römerreich im Mittelalter, teil 3. p. 331–368. Gyula Moravcsik: Byzantium and the Magyars. Budapest, 1970. L. Gerevich: Pilis Abbey a cultural center. Acta Archeaologica 29, 1977, p. 155–198. László Gerevich: The Art of Buda and Pest in the Middle Ages. Budapest, 1971, p. 57–80. Marosi Ernő: Matthias Corvinus, the Medieval Man. Gothic and Renaissance. In: Matthias Corvinus, the King. Tradition and Renewal in the Hungarian Royal Court 1458–1490 (ex.cat.) Budapest, 2008. Farbaky Péter: Florence and/or Rome? The Origins of Early Renaissance Architecture in Hungary. In: Farbaky Péter, Louis a. Waldman (eds.): Italy & Hungary: Humanism and Art in the early Renaissance, 2011, p. 345–368. Sarkadi-Nagy Emese: Local workshops – Foreign Connections. Late Medieval Altarpieces from Transylvania. Jan Thoerbecke Verlag, 2012, p. 15–31.

Ajánlott irodalom

Faculty: Faculty of Humanities Organization BTK Institute of Art History Code: Course Title: Art in Hungary from the beginnings until 1526 Usual semester Summer Published semester 2023/2024/2 ECTS: 4 Type of course (lecture/seminar) Lecture hours per week/semester: 2 / 28 assessment method (exam/practical grade): Exam Suggested semester: autumn Learning outcomes: Course content: The main goal of this course is to provide a broad understanding of the development of Hungarian art in the Middle Ages, with a focus on its relations to other centers of art and political power in Europe. In order to establish an understanding of the chain of events, the introduction of the different art styles and their development must be linked to a historical overview. The length of the time period the course covers implies that instead of an in-depth analysis, a select number of focuspoints would be presented along with a respective list of sources and studies, from which the students can gain a more in-depth insight. An emphasis on the international relations between the Kingdom of Hungary, the Holy Roman Empire, Byzantium, the Capetian Kingdom and the Italian Pennisula would allow students to rely on their preexisting knowledge of European medieval art by linking the Hungarian art production into a broader network, as well as gaining an overview of its special development. Required reading: Barral di Altet, Xavier – Lővei Pál – Lucherini, Vinni – Takács Imre (eds.): The Art of Medieval Hungary. Rome, 2018. Recommended reading: Fülep Ferenc: Sopianae. The history of Pécs during the Roman Era, and the problem of the continuity of the Late Roman Population. Akadémiai Kiadó, Budapest, 1984. Ádám Bollók: The birds on the braid ornaments from Rakamaz: A view from the Mediterranean. In: Byzanz – das Römerreich im Mittelalter, teil 3. p. 331–368. Gyula Moravcsik: Byzantium and the Magyars. Budapest, 1970. L. Gerevich: Pilis Abbey a cultural center. Acta Archeaologica 29, 1977, p. 155–198. László Gerevich: The Art of Buda and Pest in the Middle Ages. Budapest, 1971, p. 57–80. Marosi Ernő: Matthias Corvinus, the Medieval Man. Gothic and Renaissance. In: Matthias Corvinus, the King. Tradition and Renewal in the Hungarian Royal Court 1458–1490 (ex.cat.) Budapest, 2008. Farbaky Péter: Florence and/or Rome? The Origins of Early Renaissance Architecture in Hungary. In: Farbaky Péter, Louis a. Waldman (eds.): Italy & Hungary: Humanism and Art in the early Renaissance, 2011, p. 345–368. Sarkadi-Nagy Emese: Local workshops – Foreign Connections. Late Medieval Altarpieces from Transylvania. Jan Thoerbecke Verlag, 2012, p. 15–31.

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